![]() The black paint ends in an attractive point at the bottom of the headstock while rest of the neck continues on in the usual see-through cherry. The slim, comfortable neck of this example has the somewhat rare and interesting feature called a “stinger.” The back of the headstock is painted black to hide a flaw in the wood. The red tint of the cherry sunburst has faded to an almost golden color, which is common on J-45s made from ’64 to ’66. It has an adjustable bridge (introduced in 1956), large frets (1959), a cherry sunburst finish (1962), and mahogany back and sides with a spruce top (standard since the end of WWII). The J-45 featured this month has features common to others produced in 1964. By 1942, the J-35 was dropped in favor of the enduring J-45, which has since become a staple of the Gibson flattop lineup. The economics of the Great Depression caused the Jumbo to evolve into the lower priced, less fancy J-35 in 1936. The Jumbo and the Dreadnought shared similar dimensions and volume levels, but Gibson’s unique, round-shouldered look set it apart from the competition. Gibson retaliated in 1934 with the Jumbo. The Martin D series quickly became popular with players because of the increased volume these large guitars provided. The Gibson J-45 has been a favorite with players and collectors since its debut in 1942, although its roots can be traced back ten years earlier with the unveiling of the Martin Guitar Company’s Dreadnought series.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |